主宰三界

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　　该剧主要讲述了拥有成功、复仇、孩子、爱情等各种欲望的四个男女之间发生的痴情爱情悬疑故事。

京都机密

明中期，京畿衙门捕快张晟和袁肃因同僚程运打死犯人被逐出衙门一事，势不两立。后程运被杀，迷雾重重，证据指向刑狱长葛林以及神秘富贾沈康。两人究竟能否不计前嫌，绝境反击？一片繁华之下，那些不为人知的罪恶终将“浮出水面”······

乌笼院之英雄出少年

相传在上古时期，盘古开天地时留下一颗五彩神珠。神珠吸取天地之精华，有神奇的力量，得到了这个宝物，就可以长生不老，甚至可以统领各界，称霸世间。为了防止神珠落到坏人手里，为害世间，五彩神珠被藏在乌笼院的一处禁地中，由武林高手世代守护。几千年过去了，直到这一天，乌笼院被牵扯到一桩宝藏抢夺与武林恩怨当中。

奇诺之旅：活着的目标 -life goes on.-

　　幽静安宁的森林里，奇诺（前田爱 配音）和师父相守度日。她按照师父的指示打扫料理她们的林间小屋，期间学习使用各种枪械，提高射击的技术，或者联系操纵机车。时常有人来拜访师父，奇诺虽感好奇，却似乎更安于此时的生活状态。直到某天，她去河边打水的时候邂逅了一名男性旅者，对方的一番言语勾起了奇诺对外面世界的向往。她向师父表明了外出游历的意愿，师父并未加以阻拦，反而鼓励她勇敢地走出森林探险。只要切记，世事无常。奇诺不平凡和漫长的旅程开始了，她永远不知道等在前方的会是什么，但谁会因此停下探索的脚步？                                                                    　　本片根据时雨泽惠一的原作改编。

科比的缪斯

这部长篇记录片背标邦威记录科比的生活，灵感及遇到的挑战，也为他下一季重回NBA赛季奠定了基础。这部片子还会聚焦在科比在其职业生涯内所取得的成功及面临的挑战，让大家看到另一面的篮球明星。科比在片中也会谈到自己对于运动生涯结束后的规划，尽管没有给出详细的例子，但是Showtime节目表示科比的“个人成长经历”也会着重被讲述。“《科比·布莱恩特的缪斯》将提供给观众一个全面的职业运动员，一个已经超越了自身职业并成为了一个标志性人物的运动员”。美国娱乐时间电视台执行副总裁埃斯皮诺萨表示，“我们很高兴，科比给了我们这个前所未有的访问，这将让我们的观众见证一次NBA的最伟大球员之一生命中这样一个充满挑战的时期”。科比·布莱恩特，18次进入NBA全明星赛，五次进入NBA总冠军赛，因为左膝受伤而缺席了2013-14赛季。

瓶·凡

　　卢斌失业了，但女友吴琳还是对他很好。感动中他求婚，吴琳表示必须有房子。他借光了父母和爷爷奶奶的钱，在吴琳提醒下，他拿走了爷爷的“传家宝”。台湾女孩郑涵逸受爷爷的嘱托来京寻找一个古瓶，正是卢斌手中的这个，但在“专家”董固坚和郭小良的搀合下，卢斌总是和郑涵逸擦肩而过。

剑仙在此动态漫画

宅男林北辰在机缘巧合下得到一部手机，手机带他进入到了一个叫做东道真洲的世界，在这里，他成为了北海帝国十大名将之一【战天侯】林近南的嫡子，同时也是个臭名昭彰的败家子，且天生带有脑疾。适逢战天侯林近南战败，家道中落，失去了靠山的林北辰，被各路‘仇人’堵在学校里无法出门，危急时刻，他惊讶地发现，自己随身带来的手机，竟是一个可以辅助练功的外挂神器。依靠这个神器，林北辰开启了自己的爆笑逆袭之路。

丹麦小村教堂

The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

大班

内容讲述1841年英国商人舒狄克(大班)带领舰队，前往中国通商，以鸦片换取茶叶，丝绸及翠玉，煞而遭受满清朝廷禁制，舒舰长于是带领舰队南下占领香港，开辟成为商港，并与其它商人展开勾心斗角的竞赛。但人算不如天算，一场飓风令人他的命运急剧扭转。

放映路上

《放映路上》是为建党90周年献礼的重点影片，该片讲述了农村电影放映工作者郭建华，在农村文化战线36年如一日辛苦工作的感人事迹，影片再现了上世纪六七十年代农村露天电影人头攒动的盛况，再现了因电视进入千家万户造成电影萧条的悲凉景象，更反映了新时期农村电影市场复苏的大好局面。

尸兄